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The softly menacing shadow cast by the unseen blue dress reminds me of Hans Holbein the Younger's "The Ambassadors." The two richly attired men stare out at the viewermore somber than Clinton, but similarly assured of their own prowess
One thing is clear: "Obviously we don't all see the same," said Wills Eye's Fineman
Diana used the dress to reclaim her space in the narrativeasserting herself and her independence
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