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yet tongue-and-cheek in the next

and has nowadays often receded into the background

playing throughout

The twenty-two tracks on COSTAS appear to be bite-sized

J.S. Bach / Aelbgut/ Wunderkammer - Passion Condition:New yet tongue-and-cheek in the nextIn contrast to the St. Matthew Passion, Bach repeatedly changed and supplemented parts of the St. John Passion, but apparently never found a final version. The earlier parts in particular have their charm: less sublime in tone, but more spontaneous, angular and intimate. "In it's more intimate tone, the second version of the St. John Passion of 1725 seemed to us to be ideal for a recording which, without a conductor, is controlled entirely from the

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