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devours the cello with it's poignance and sensuality
tragic tone
and we listen for emotion
By weaving the tales of Finnish national epos "Kalevala" into their songs and interpreting them in a timeless way
Brahms/ Yunus Kaya - Klavierstucke 116-119 Release:Klavierstucke 116-119 Ars Produktion devours the cello with it'sIt is important to Yunus Kaya to let his interpretation seem spontaneous, almost improvisational, with all the care of rehearsal. Ilona Eibenschtz, a student of Clara Schumann who met Brahms personally and visited him during his summer stay in Bad Ischl, was allowed to hear his Opera 118 and 119 by the composer himself. In her memoirs, she describes his piano playing as "very free spirited as if he were improvising with heart and soul" During the
