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ate in the cafeteria
Their sound exhales death imbued with a feminine influence of Southamerican shamanism and primal nocturnal witchcraft
The Italian maestro is defined by his dualities: the sacred and the profane
Tsar Alexander (Willy Fritsch) sought to foil the assembled foreign dignitaries looking to undermine his position by having his lookalike retainer (Fritsch
Das Mortal - Bury the Sorrow AEC Music ate in the cafeteriaBURY THE SORROW marks a new direction in Das Mrtal's music making process. Unlike previously released works that were inspired by imaginary narratives, we are now thrusted in a more personal universe dealing with themes of mental struggles, pressure and other troubles brought up by the quarantine. The chaotic times created by the world wide pandemic not only shape the overall album, but can also be heard in the individual tracks themselves that
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