Camera, February 1973, Volume 52, No. 2. Group f/64. Untitled (Friends of Photography) abstract aerial views of geographically

abstract aerial views of geographically altered landscapes

The book features a historical introduction by Van Haaften alongside a preface by then-NYPL Chairman Andrew Heiskell

It highlights his stark visual documentation of Bolton (referred to as "Worktown") and Blackpool

Images and Enterprise: Technology and the American Photographic Industry

Camera, February 1973, Volume 52, No. 2. Group f/64. Untitled (Friends of Photography) abstract aerial views of geographicallyThe Henry Swift Collection of the San Francisco Museum of Art. Edited by Allan Porter. Essay by John Humphrey on the evolution of the Swift Collection. Swift, an avid amateur photographer, a friend and collector of Edward Weston, collected Weston's work in the 1920s and together with Weston was an original member of Group f 64. After Swift's death in 1962, his widow Florence, Imogen Cunningham, and others enhanced the collection with additional Group